That news is divided up into a set number of segments. I show up for work, and then I have to run through the day’s news. Some of these purchases are just bobbleheads or posters other upgrades have tangible effects, like reducing the amount of electrical surges. If I do well, I’m rewarded with some in-game cash, which I can use to upgrade and decorate my station. Occasional power surges mean I lose control of certain keys. I also have to bleep swear words - I have to watch a swear monitor on my station and slam the space bar at the right moment - or I make less money and get a note on my permanent record. At one point, naked protesters flood a local sporting event, and I have to carefully switch cameras to ensure no one sees an errant titty or unwelcome bum. Producing live television is tougher than it looks - switch the camera too early, and you might catch a guest picking their nose, or making a face. I learn to pepper in reaction shots and wide shots to keep the pace lively. I begin to enjoy putting together a great broadcast. It’s tough, and it’s a skill I haven’t really thought about or built up naturally, but it’s fulfilling when I start to see the results of my hard work on screen. It’s like learning how to paint, or sculpt a model. Learning to do it on the fly, sewing together an actual show, feels great. The developers at NotGames put a lot of work into creating elaborate situations and then filming them from multiple angles my job of turning them all into a coherent, clear picture is difficult. Not for Broadcast’s unique gameplay gives me an idea of how difficult that is. I’m not much of a movie buff or a TV nerd I couldn’t tell you much about camera terminology or set management. I start to feel as if I’m in control, and that’s a heady feeling. I fall into a comfortable rhythm: Shot, reaction shot, wide shot, go to commercials. I want to put the camera on whoever’s talking, but things get boring if I stay on a single shot for too long. It’s initially chaotic, but there are a few simple rules that clarify things. I have to watch all of those screens, and then look at the console beneath them, which allows me to switch screens, select images to show the audience, run commercials, and censor out any unfortunate swears. The live feed is the broadcast that the entire nation is watching that’s where I can see if my editing decisions worked out, or if I flubbed a transition. I get to choose which of those screens to display on the broadcast screen, which is smack in the middle. There are four screens on the left, each of which can show different camera angles or segments of the news. However, that station is quite elaborate. I don’t move around too much in Not for Broadcast I’m stuck at my station. At the end of the call, he tells me this is my job now. Luckily, there’s a robust tutorial, where my friend calls into the studio and walks me through everything I need to do. I take the role of broadcast operator, which comes with a unique set of controls. Not for Broadcast is an early access title this release contains a massive chunk of story and multiple missions, but there will be more to come with extra polish added to the existing parts. And, it turns out, producing live news is hard. Is Not for Broadcast goofy slapstick, or a political story with teeth? It’s both. On the other hand, I also have to manage the interview of a man named Tit-wank Tony, and decide whether to publicize an Elon Musk-esque transit tunnel that’s given the acronym of MOOBS (Mobile Orientation Operation Burrowing System). If I’m sloppy, viewers stop tuning in, and I’m suddenly out of a job. If I’m smart, I can edit that news in order to steer public perception the way I desire, in a direction I think will inform or help people. This full-motion video game shows me newscasters, directors promoting their movies, politicians, and entrepreneurs on a variety of screens, and it’s my job to make some sense out of it for the audience that tunes in every night to get the “news.”Ī new political party, the far-left Advance, has come to power. My job is to handle the nightly news in an alternative-history version of 1980s Britain, producing the live events as they happen. I am a cog in the machine of a slowly approaching dystopia.
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